Recently, it seems that butterflies have been coming into my life from all angles. In almost everything I've read, there has been a butterfly reference. This poem for example. I flipped open my Robert Frost collected poems and stories, and here it was. Magic? Fate? Then, in the book "Breath Eyes Memories" the main character, a young Haitian girl, is given a statue of her favorite spirit/god Erzulie takes a chronically bleeding girl and says to her that if she wants the bleeding to stop, she has to transform into either an animal or a plant, and she choses to turn into a butterfly. These are only two examples, but ever since I wrote that poem about me being a fire breathing butterfly, wonderful stories about butterflies have gravitated toward me. I've decided their my new symbol (ish).
About the poem by Robert Frost, I started crying when I read the line " Thou didst not know, who tottered, wandering on high,/That fate had made thee for the pleasure of the wind". It just seems so wonderful. I guess because it seems like we are all butterflies, made for the pleasure of the wind, whatever that may be. It just seemed so true and perfect. Don't you just love how Robert Frost picks his words, and how each one not only sounds wonderful when you read it, but really means something. And not in the way that you understand it, or it's clever, but it means something. Robert Frost came up in this huge discussion that I had with my parents about what is art (including literature style art), what makes it good, etc. I was taking the ultra-liberal point of view, which is "everything is art, its just the way you look at it" sort of thing, and they were taking the "good art/bad art/not art at all" perspective. We ended up having this discussion all day! It reminded me of politics. Here is my conclusion: don't even try to label art work (at least for now). I will just like what makes me feel good, and for the pieces that I dislike, I will attempt to like them, but if I try and can't like them, I'll just let it go. I've decided that judging art is impossible (what's good or bad in art is really, really relative) if you want to be fair, because it's someone's point of view, and no one else will nessicarily have that same view. So that's it.
Robert Frost--My butterfly
Thine emulous fond flowers are dead, too,
And the daft sun-assaulter, he
That frighted thee so oft, is fled or dead:
Save only me
(Nor is it sad to thee!)
Save only me
There is none left to mourn thee in the fields.
The gray grass is not dappled with the snow;
Its two banks have not shut upon the river;
But it is long ago--
It seems forever--
Since first I saw thee glance,
With all the dazzling other ones,
In airy dalliance,
Precipitate in love,
Tossed, tangled, whirled and whirled above,
Like a limp rose-wreath in a fairy dance.
When that was, the soft mist
Of my regret hung not on all the land,
And I was glad for thee,
And glad for me, I wist.
Thou didst not know, who tottered, wandering on high,
That fate had made thee for the pleasure of the wind,
With those great careless wings,
Nor yet did I.
And there were other things:
It seemed God let thee flutter from his gentle clasp:
Then fearful he had let thee win
Too far beyond him to be gathered in,
Snatched thee, o'er eager, with ungentle grasp.
Ah! I remember me
How once conspiracy was rife
Against my life--
The languor of it and the dreaming fond;
Surging, the grasses dizzied me of thought,
The breeze three odors brought,
And a gem-flower waved in a wand!
Then when I was distraught
And could not speak,
Sidelong, full on my cheek,
What should that reckless zephyr fling
But the wild touch of thy dye-dusty wing!
I found that wing broken to-day!
For thou are dead, I said,
And the strange birds say.
I found it with the withered leaves
Under the eaves.
Messiah's Handbook quote of the blog:
"There's no disaster that can't become a blessing, and no blessing that can't become a disaster"
This relates to what I was talking about before, about art. Disastorus art can become a blessing in someones eyes (someone who share's the same point of view as the artist), and vis versa for good art (some people hate Monet...).